Interactive Timeline of Ary's Artwork

Representational

Palestine Watercolors

Morocco Drawings

Early Abstracts

New York Folio

Drawings

Prints

Early Mexican

Gouaches

Houston-
Cuernavaca

Leyendas

Early Abstracts (1945-1956)

Foundation Collection

Ary's painting had undergone a radical change.

This had been brewing ever since the early part of World War II. Ary was, of course, profoundly shaken by the war, by the enormity and brutality and hideousness of it, and especially by the tragic fate of six million Jews. He was in an emotional upheaval that affected every phase of his being, and of course this included walks we would take in Central Park on Sunday afternoons; we would wind up in some secluded spot and then Ary would give voice to his thoughts and feelings. He would say, "I cannot continue to paint the way I have been doing, I am sure that every creative person will have to make some change. For me, the world of surface realities is no longer paintable. For nothing is as it formerly seemed. It is not the surface of things—the look of things—that is real—it is that which is hidden beneath the surface—an inner reality of some sort that is real. And that is what I must search for. I can no longer set up a still-life, or paint the view of a city street, no matter how much of my own perception and sensitivity I put into the painting. I shall have to dig down deep within myself—back to my subconscious, if possible—and bring out what will be an inner reality."

Gold and Blue
Gold and Blue
1948,
acrylic over earlier oil,
27 x 21 in.,
[Foundation Collection]
Tapestry #1
Tapestry #1
1948,
oil on canvas,
36 x 26 in.,
[Foundation Collection]
allegretto
Allegretto
1949,
oil on canvas,
14 x 13 1/8 in.,
[Private Collection]
Corner of Space Laboratory
Corner of Space Laboratory
1950,
oil on canvas,
24 x 18 in.,
[Foundation Collection]
Interlacing Colors
Interlacing Colors
1950,
oil on canvas,
24 x 20 in.,
[Foundation Collection]
Oncoming Dream
Oncoming Dream
1950,
oil on canvas,
[Foundation Collection]
Untitled 1950
Untitled
1950,
oil on canvas,
26 x 38 in.,
[Foundation Collection]
Rememberance
Remembrance
1951,
oil on canvas,
24 x 20 in.,
[Foundation Collection]
Rhythms in Gray
Rhythms in Gray
1951,
oil on canvas,
44 x 36 in.,
[Foundation Collection]
Vista Mystique
Vista Mystique
1951,
oil on canvas,
30 x 40 in.,
[Foundation Collection]
Untitled
Untitled
1952,
oil on canvas,
18 x 15 in.,
[Foundation Collection]
Calligraphics
Calligraphics
1953,
oil on canvas,
20 x 32 in.,
[Foundation Collection]
Interplay
Interplay
1953,
oil on canvas,
44 x 36 in.,
[Foundation Collection]
Movement in Space
Movement in Space
1954,
oil on canvas,
45 x 36 in.,
[Foundation Collection]
Crucifixion
Crucifixion
1955,
oil on canvas,
22 1/2 x 17 in.,
[Foundation Collection]
Black, Green, Yellow Structural
Black, Green, Yellow
Structural

1955,
oil on canvas,
16 x 13 in.,
[Foundation Collection]
Composition with Parakeet
Composition
with Parakeet

c. 1950s,
oil on canvas,
[Foundation Collection]
Fragment of Textural Canvas
Fragment of
Textural Canvas

c. 1950s,
oil on canvas,
16 x 30 in.,
[Foundation Collection]
Smal Structural
Small Structural
c.1950s,
oil on canvas,
13 x 16 in.,
[Foundation Collection]
Small Structural
Small Structural
c.1950s,
oil on canvas,
16 x 13 in.,
[Foundation Collection]
Small Structural
Small Structural
c.1950s,
oil on canvas,
13 x 16 in.,
[Foundation Collection]
Structural
Structural
c.1950s,
oil on canvas,
30 x 24 in.,
[Foundation Collection]

 

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Art Review

New York Times

"From the Summer of ’50, Luminous Drawings"
By Benjamin Genocchio
August, 19, 2007

Sayville #23

Current Exhibition

Coming Up Soon...

Ary Stillman: From Impressionism to Abstract Expressionism

From Impressionism to Abstract Expressionism Edited by James Wechsler Foreword by Donald Kuspit

Upcoming Exhibition

Ary Stillman
(1891-1967):
Spirits of the Underworld

Spirits of Underworld

Van Deren Coke Gallery
at the University of
New Mexico Art Museum, Albuquerque

October 7-December 2, 2008

Foundation's Catalog 2007

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